2025 has been an impressive year for the British Film Institute, in its often scrutinized role as a supporter of original filmmaking, with breakout titles emerging across the festival circuit. Popular titles include the BFI’s trio of Cannes debuts, Harris Dickinson’s Urchin, My Father’s Shadow by Akinola Davies Jr., and Harry Lighton’s Pillion. Over in [.].
Recency bias apart, did the undisputed Master, for his tenth film, deliver his most universally loved yet? Happy to discuss.
Recency bias apart, did the undisputed Master, for his tenth film, deliver his most universally loved yet? Happy to discuss.
Recency bias apart, did the undisputed Master, for his tenth film, deliver his most universally loved yet? Happy to discuss.
